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The radio says today is the birthday of Jasper Johns,
born in Augusta, Georgia in 1930.
He was famous for paintings of flags and maps.
Who cares says my daughter,
I don’t know.
I writhe in bed with fever, chills,
chatters and shivers.
The near becomes far as the far comes close.
It is an auspicious day for Jasper in the past century,
but this century illness booked my day.
A daughter who usually doesn’t care
talks at bedside without pause.
Something is different.
Never go hunting on an empty stomach, says my daughter.
I stare at the cap backwards on her head.
We are diverted by the cat hacking up a hairball.
How hard, my daughter asks,
would it be to paint a flag, anyway.
I’m mean, it’s just a picture of a symbol of something else.
What pretentious bad taste to push that.
Then we listen to a history program.
Napoleon leads 500,000 soldiers into Russia
all the way to Moscow, which the Russians burn.
The soldiers try to leave as winter comes.
Only 20,000 return to France.
Damn, I miss the summers.
My daughter wants to decorate my plain room
with quaint rock star posters,
then as a rejected stage set from Star Trek.
She is angry about Napoleon’s army,
angry with the bare wall.
She twists her cap back.
Put a map on the wall, I say.
Put flags where my life ventured once,
symbols of whatever those events mean,
before it leaves this tiny country.



J. Alan Nelson has poetry and stories published or forthcoming in numerous journals, including New York Quarterly, Main Street Rag, The Texas Observer, and Whale Road Review. He was the lead in the viral video “Does This Cake Make Me Look Gay?” and was “Silent Al” in the Emmy-winning “SXSWestworld.”
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendelsohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Wednesday: Under the Eye of The Big Bird by Hiromi Kawakami, translated by Asa Yoneda 
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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