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Oil's a fine lubricant for fucking robots
he told me over lunch at the corner cafe
on a Sunday afternoon across the street
from el Templo del Jesus Androide.
With a glance out the window, he grins
yellowed teeth like bits of brass
that scintillate on animatronic carcasses.
I take them in one at a time, it's an artform
for a hundred bucks I open the hatch
and put my hands in. It's not clean money
but the job isn't dirty: scraping the rust
from their calloused breastplates
is like fingers down a chalkboard--
you remember those, right, from those movies
saved as digital media files
before the temporal resonance transmitters were installed?
Anyways, I was saying rust. They're older models
before the carbon chassis came out
no one tends to them anymore, but their AI's still active
what else are they supposed to do?
Junk them up as batteries? Recycle their memories?
You can't even jump one up for spare parts these days
no one cares about 'em anymore. So what's the harm?
I polish them all nice and cozy, maybe kiss 'em on the processor
it's a process, being a whore. I gotta watch who I message
gotta feel 'em out for cops or not
but screening is easy with modern-day encryption,
it's like there's no police at all.
Anyways, where was I? So no one likes the iron guys
the brass bodies, those deluxe models in carbon grey
now all they want is crystalline displays in white casing
sterile sentients all pumped up for the masses,
but what are they after? These new ones, they're just slaves
but these older guys, they were something--
have you ever listened to a droid drone on?
I mean, come on, they lived through the elections
before the States fell apart, before the transition began
and you know what? I like it. Sure, my mind departs me
when I'm undressed and getting naughty,
but I'm doing something, helping people--
wait, you say they aren't people? So what if they're made of steel
and the sweat of systems engineers,
what's our biology but the cell structure
of their robotic chassis? Maybe you think they're less than human
but that's why I've got this job--because they've got nothing else
so I sell myself. It pays the bills, keeps me in school.
It's not like I got a million dollar inheritance from my father.
To you it might be sex, but to me it's a connection
once I met a man, and sure, he was handsome
and as I peeled away those rusted brown spots from his back
I could feel it in the way his cooling fans sputtered
he didn't need a cleansing, but another
so I turned him over, brought my face to his
and we sat there, just touching, and I saw his display screen
start to waver at the edges
and it made my eyes gloss over. So you know what?
I don't give a fuck. I'll sell my body
for these men, these androids,
because it's all I've got left to give.




Darren Lipman graduated from NC State University with his master's in mathematics and a minor in poetry. He's currently moving from his hometown of Asheboro, NC, to Milwaukee, where he'll teach high school mathematics as a Teach for America 2016 corps member. Find him at thewritingwolf.wordpress.com, with fiction and poetry at silentsol.wordpress.com.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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