Size / / /

When a body's opened, chest-first,
with bare hands, with rocks—
steam rises into morning air,
warms the sharp chill. You want
to clutch it to your breast, tell it
you love its febrile, fluttering life.
To rip it wide and climb inside,
wear it 'til the heat drains away once more.

We live alone, not lonely, on
rocky, saline soil which suffers no plow,
will grow no crop fit for reaping. What surprise,
we look elsewhere to use our hungry sickles?
It is only natural.

(As the stag flees the wolf, the crab the gull.
As corpses would flee fish, surely, if they only could.)

To the rest, meanwhile—our stark cave
crammed with useless trinkets, hanging garden
of dried flesh—this is simply home,
our scrap-lined nest, a crib for carrion-chicks
to practice on each other, file down their teeth
and claws by gnawing bones, a warren
for breeding rabbits.

Lust pairs us off without pattern,
pregnancy just one more way to reckon
how fast (or slow) time passes . . .
yet who did we ever need, in truth,
but each other?

(As well, from time to time, as you—
God's gift. Quotidian bounty
of salt-cold sand and tide.)

Set table, now; sit down. Mind your manners.
Our prayers begin en masse, so flavor-full of grace:
This once-fierce meat—so raw and rare, so savory,
already cooling—receives, evokes,
our most devout benediction.

Old woman, do you make ever sure
to feed the children first.




Former film critic and teacher turned award-winning horror writer Gemma Files is best known for her Hexslinger Series, now collected in omnibus form (ChiZine Publications). She has also published two collections of short fiction and two chapbooks of poetry. Her next book is We Will All Go Down Together: A Novel in Stories About the Five-Family Coven (also from CZP). Her website is here.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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