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It was fine until the shuttles from HQ
Stopped coming and my art supplies ran low
A painter has to paint so I had to get creative
Had to source locally
Yes, lots of things here are toxic
We live in a bubble where we
Grow our own food and
Make textiles from the leavings
But surely a little paint
Wouldn’t hurt anyone?
Blue from a local shell
Ground fine outside so the dust
Wouldn’t contaminate the HVAC
Red from the clay under the northern
Mountain and yellow from the rocks
Littering the face
Stabilized with local water
I prefer oils to watercolors but needs must
The new colors were beautiful
And if I’d had a sealant, some clear, thick resin
Perhaps, it would have been all right

I found out how long it would take
For the local offerings to kill us
When I hung the first painting
In Camden’s quarters—a surprise birthday gift
I meant to make him happy
And he was for a day or two
Until the illness set in
Nobody looked twice at my painting
Nobody thought to question why
I’d changed techniques
He died, slowly and horribly and
I never said a word
I just took the painting from his quarters and
Destroyed it once I got outside
I don’t paint anymore
Okay? I don't paint anymore
I’m sorry and I miss him and I miss
Art too and someday, if a ship ever
Comes back, I’m going to go home and the
First thing I’ll paint will be his portrait
Made with oils, not water—what color is regret?



Gerri Leen is a Pushcart- and Rhysling-nominated poet from Northern Virginia who's into horse racing, tea, collecting encaustic art and raku pottery, and making weird one-pan meals. She has poetry published or accepted by The Magazine of Fantasy and Science Fiction, Dark Matter, Dreams & Nightmares, Liquid Imagination, NewMyths.com, and others. Visit gerrileen.com to see what she's been up to.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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