Size / / /

Content warning:


note: pt means post-trauma and at means anti-trauma. both terms
are used instead of post-meridian (pm) and anti-meridian (am).

trust me, I’ll begin again exactly where my country ended me:
bullets against blood splattered body/against a broken skull/against silence.
________________________________________________________________________________

coordinate: 6.4358°N, 3.4472°E                                                           2090:10:20—4:00pt

 

cyborg x:            please, enter command.

poet:                    initiate the poetics of my history.

cyborg x:            /initiating/

: a body protesting thinks itself as a door
out of a dark room, a bullet, too. your body has
learned to carve many doors out of its darkness,
but the exit is never to see light. once, your
country shows you its wound. & you carried it
around in a body filled with daisies
/initiating correction/in a body filled with bullets,
weighing it on your palms until it becomes heavier
than your skin. the bullets, learning the new
way to pull a boy into silence. /Silence as the barrel
locks itself. into my skull.

into your skull.

cyborg x:        [whirring] initiating hurt…initiating/ wires w h i r r i n g.

                   /Shutting down/

                                                                /Rebooting/

                                                                                              /Hibernating/

 

“cyborg y and cyborg x exchange position, & the poet
inserts the crying wire into the exit wound of cyborg y”

 

poet:         initiate the poetics of hurt.

cyborg y:        initiating the poetics of hurt/

: if there’s anything to know, it’s that the bullet will
never give the satisfaction of hurt to the body
even when it hurts more to pierce through skins & bones.
2020:10:11:00pt/at: nightingales are crashing their
voices through the darkness of your home.
all that is left after, is of silence—languaging through songs:
throat to mouth. & then you came/you, against
the bullets/against your blood splattered body/against
your hemorrhaged-skull/against your body bursting
out of itself/as the peugeot 404 pushes you out from its
mouth/there, everything becomes a protest against
darkness /against silence/ silence as they shroud you into
reliving my death in this memory.

________________________________________________________________________________

                                  2020:10:21—12:00at/pt

poet:           initiating reliving/

activating voice over/

         I refuse to be shut down because
my country has robbed me of
living. & tomorrow,
it will not be
me again,
but you.
You!



Fasasi Ridwan, Swan I, whose works have appeared/are forthcoming in Anmly Lit, Eunoia Review, Lucent Dreaming, Afrihill Press, SprinNG, Kalahari Review, and elsewhere, is a Nigerian poet of Yoruba descent. He is a member of The Swan Collective. Find him on Twitter (sorry, X) @Ibn_Yushau44.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
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In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
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Podcast read by: Claire McNerney
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Strange Horizons
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