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The moment we played the song of her spring
a startling change washed over my aunt—

only her eyes remained closed in sleep,
but her age poured off everything
else, her features slipping backwards
in time as the melody slipped through her ear
and kick-started the hidden, rusty mechanisms

of the body: new ink trickling
through each hair, skin smoothing out
like a shirt pressed under an unseen iron,
lips unfurling upwards like budding leaves,
having released the weights that had grown
heavy with years below the jaw.

By the chorus she was a young woman again.

We dared not wake her, afraid of breaking the spell.
Surely this was what people meant
when they spoke of music’s healing properties—
how it reminds the body that it was once
free of pain and full of possibilities.

Quietly and methodically
we lined up song after song
until we had a playlist that unfolded
across her decades—it would steer her
through a dream lasting lifetimes.
But after a few days of this, we realized
she would soon starve unless she woke up
to eat. If she lived
in beautiful young sleep forever
she might as well have been dead.
Slowly we wound down the music,
hoping it had undone enough damage …

As if she had been waiting for this intermission,
her lids lifted like heavy curtains, the night
within her peering out through the dark marbles
of her eyes, wet and tired, recalling who
she now was. Trapped. She had to come back
and so she was back, our aunt, our dear old aunt.



Yee Heng Yeh is a Malaysian writer and Mandarin-to-English translator. His poetry has been featured in The KITA! Podcast, adda, Strange Horizons, and a few local anthologies, and was shortlisted in the Malaysian Poetry Writing Competition 2021. His translations of poetry are forthcoming in Mantis. You can find him on Twitter @HengYeh42.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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