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The angels wear the faces of our dead
and stare at us from darkened corners
so the sun cannot glint on their blond heads.
Rather, they slink from daydreams to shadows
smelling of Chanel No. 5 and torn
family Bibles; their cadence, their low
tones let us pretend they are indeed ours
and not a nightmare with peeling faces.
We swallow hard and agree to burrow
deep into this illusion for how else
would we get to see their faces again?

So, they sip Manhattans, perch on soft
chairs, lightly holding cigarettes in taut
fingers, eyes narrowed. They look coldly at
us with their frostbitten eyes, holding court
about our failings. Their hair permed, nails scarlet,
knees slim, lashes darkly tinted. They note
each misstep, each hair out of place, quote
each stuttered word with a mocking high pitch
because someone has to teach us life’s bite
and might as well be their tough love first.
They show us the tininess of our might
against their glacial certainty. We’re caught
against their gaze, wrapped in their ashen light,
bound in their unceasing disappointment.



Sarah Titus (she/they) is a speculative poet out of Appleton, Wisconsin. She writes about generational trauma through the lenses of hauntings, abandoned attics and monstrous angels. You can find them at @sarah_writes_sometimes on Instagram.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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