Size / / /

I

You can see them as they move among you
their opalescent aura shimmers like summer pavement heat,
mother-of-pearl, on the tips of their frizzed-out split ends.
They like to think they're normal.
The light behind their eyes is a look they share with the acid-
eaters, you know, an enlightened other-worldliness.
Their power comes from this world, though,
the dark side lighted only by the cycles of the moon . . .
Draw it down, draw it down.
The world of night is their kingdom --
they rule as the rulers sleep.
In woody nature the feather light edges soften
the twinkle of lights glimpsed in the trees.
They leap from one long shadow to the next,
Zig-zagging in catty-corners.
Everything in the negative, the feminine dark shadows
moon-shortened.

II

In the suburbs, you can hear the triumphant "Hah!"
as the pretty girl dances from her tiny tab. Night vision
comes from dropping back, pupils wide giving dark eyes
innocent overtones. Lovely Sacred Daughter of Diane.
She is sister to children of the moon, city lights too
close, ancient roots faded. Frantic finger-
honey finds solace in the night, each star a distant diamond
winkling clearly reflected in the dark space of her eyes.
The mad chant sweats beneath her delicate summer rain gown.
Using the game to create the essential essence,
she is led in where glowing bulbs force the male upon her.
Mist is left on the threshold; inside where the air won't move
her delicate power pounds beneath the want of others.
In her tiny sleep, the music of her distant siblings dying
doesn't waken her.

 

Copyright © 2002 Heather Shaw

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Heather Shaw has been a poetry editor, a performance poet at Lollapalooza, and was recently nominated for a Rhysling. When not immersed in verse, she writes fiction, non-fiction and makes up silly songs with her boyfriend, writer Tim Pratt. For more, see her Web site.



Bio to come.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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