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dear you’re dead.
i saw it happen,
the click-clack of the hammer as you cocked it back,
the fat tears rolling down your cheeks like pearls fresh from the oyster.

it looks so real sometimes.
i jumped when i saw you that morning,
pale and tired and violet-dark eyes,
but breathing. in and out.

it happened to my grandmother too:
i dreamt of wood cracking and limbs flailing
and woke to the sound of my mother screaming
into our bathroom floor.

today you smiled at me.
and i knew it was over.
the fire-hot dread rolled over my skin.
i took your hand and didn’t let it go.

i followed you home
and climbed through the window.
you dropped the red brass to the carpeted floor
with a muffled thud.

i held you down by the shoulders,
the fat tears rolling down my face like pink little pearls,
and I told you i need you i need you.
how badly? you asked.

i put my hand on your forehead,
and it’s sunrise,
and i lay my head on your chest.
you breathe in and out. in and out



R. Lazarus is a writer and poet. When not writing, R. Lazarus can be found only at witching hour, when the moon shines like a flashlight down from the pitch black Pittsburgh sky.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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