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The day of your surgery, you disappeared.
I called the doctor, but it rang and rang.
The machine announced a pyramid scheme for
new life and new identities, an herbal supplement in exchange
for memories. So I searched the woods where we shot cans
with guns as kids, thinking we were practicing for
becoming superheroes, rather than practicing secret identities
and desires. The river was empty. The trees
purged of leaves. Only the clubhouse remained—
where your body was folded back into
an ouroboros of your former gendered life.

An X-ray image reveals two broken arms,
fractured vertebrae, near septic shock,
and heavy metal poisonings from your youthful tattoos.
New doctors follow in a procession of diagnoses,
which sound more like hexes and curses than cures.
All of this is too heavy in my mouth. My throat feels
coated with diamonds and quartz cut in queer shapes,
as if my insides have become a geode, and I have been
cracked open in the process of scientific discovery.
I shine under fluorescent lights. Was I always beautiful inside?
Or has too much sonic pressure
from gender made me so?

When we were young, I tried to make
my skin beautiful through needles and ink while
you tried to pull your sex out
through your root chakra to exchange one myth
for another. All it did was impress con-men doctors
invested in overnight success stories
and the pills and pulp memoirs that made it so.
All of this becoming between us has become
dizzying, and more doctors are slipping me
pills for sea-sickness and vertigo, as if
all other promises of health were not
laid bare next to scalpels on metal tables
and conjured without anesthesia or antibiotics.
I am starting to doubt storytelling from surgeons.

So I send the case studies away. Wellness and disease
will not enter here. I hold your cold hand
and wish that time's arrow could pierce us backwards,
give you back the desperation that made you run
to the therapist-magician who claimed she could make
your dysphoria disappear with a single white tablecloth
against a white letterhead and embossed MD stamps.
Instead, I chant the name you picked out for your secret-self,
the one that always landed a bull's eye, even blindfolded
and spun around. Like Lazarus, you breathe with a touch
from someone who knows what it's like to hold back
holiness and sin. You rise from the near-dead hospital bed—
and demand a body that is home.

A day later, the overnight magic's almost gone.
Your third eye is open and we follow the symbols;
I understand even more that
we both phosphoresce, broken
yet beautiful under light.
We are both fire archers, aiming
a red thread in another trajectory.
We are both monsters, neglected and ignored
as well as diseased and destroyed.
But we can stitch what we've left off
and find our way out of Frankenstein’s room.
We can convalesce with new names,
and molt into better skins.
Without doctors or witches, con-men, or categories
that claim to be home,
we glow.



Eve Morton is a writer living in Ontario, Canada. She teaches university and college classes on media studies, academic writing, and genre literature, among other topics. She likes forensic science through the simplified lens of TV, and philosophy through the cinematic lens of Richard Linklater. Find more information on authormorton.wordpress.com.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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