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Red cheeked
the breeze tickles her back
soft as a careless whisper.
Her mouth is caramelised fig and salt tang
and she wears seaweed in her hair.
From the shore the waves roar, weaponised teal, flashing bright
and the sky is purple haze
(as speckled as her nails, buried in the sand
fingertips deep in the cool moistness of the earth.)
She communes with the crabs, albino and soft shelled
as they scuttle into sand-tubes
and hide amongst the spinifex.
As the tide recedes she pries out pippis and splits them
sucking out juices with her scaled tongue
and hurling their smoked shells back into the sea.

And she waits.

The pregnant moon rises soft
and the world is still
for three heartbeats (one two)
(three). Then
her lover comes (ethereal as a spirit)
and the waters roil, waves gouging.
When her lover comes (dusk bathed, storm-woman)
the crabs flee deep into the dunes and
as finally
she steps silent from the sky onto sand
she licks the salt from the hollow of her throat
smiles through red lips
and kisses the sparrows in her hair.




Hester J. Rook is a Rhysling Award and Australian Shadows Award shortlisted poet and co-editor of Twisted Moon Magazine.  They are often found salt-scrunched on beaches, reading arcane tales and losing the moon in mugs of tea. Find Hester on Twitter @hesterjrook and read more poems and fiction at hesterjrook.com.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Friday: The Book of Disappearance by Ibtisam Azem, translated by Sinan Antoon 
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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