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Nobody speaks to me.
I hear no voices.
There is no sound.

1
Nobody speaks
when the cards are shuffled,
drawn, and read
like the insides of a cut-open bird.
Aye, she has one Nourn eye
hidden behind simple truth
and you cannot but hold your breath and wonder
at the sharpness of her spread,
the exact lines of card upon card,
the relentless abacus of fate.
 
2
She is unhearing.
The sheep, her wool-beasts,
could call to her in pain or tender-beast affection
and still she would not hear, couldn't.
But she has one Nourn eye
and it does never sleep,
at night it sees the wool-dreams of her sheep.
And in the morning she will know
if the wool is good, if the wool is ready
to become a sheer thread.
 
3
Nobody hears
her when she enters a room
to polish the silver, wipe away dirt,
clean child breath off the window glass.
Her hands are the toughest.
Of course she has one Nourn eye,
unblinking it sees everything,
smudges and wrinkles, a clock that wants winding,
a wrinkle in the tablecloth of snow;
and the room, all edges when she's gone.
 
Nobody speaks to me,
I hear no voices, and
there is no sound.
Just these three
with their waterbucket and weaver eyes
and sharp ropes pulling my ankles
and wild bark above wilder roots
and my one eye
forced white open
as they measure
and cut.




Alexandra Seidel spent many a night stargazing when she was a child. These days, she writes stories and poems, something the stargazing probably helped with. Alexa’s writing has appeared in Strange Horizons, Uncanny Magazine, Fireside Magazine, and elsewhere. You can follow her on Twitter @Alexa_Seidel, like her Facebook page, and find out what she’s up to at alexandraseidel.com.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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