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Each night I bid good evening to the great mass in my closet. Turn off the lights, turn on the fan, crawl into bed. It's getting harder now, to fall asleep, knowing what is coming, but 3 milligrams of melatonin does its job neat and tidy. I fall asleep on my back, hands splayed wide. I dream but do not remember.

The next night, I lie outside my closet doors for hours. Aching in the moonlight, I find it hard to breathe. I cannot sleep so I read The Metamorphosis, eyes wide and unfocused, words blurring like cars speeding down the street. I long to change instead of haunt. I dream of breaking the lineage.

I can feel it coming. Tonight I watch through the window carefully, butcher knife in hand. I know my focus should lie elsewhere. Tears keep escaping from my eyes and I white-knuckle the knife as if somehow that will stop the blade from rusting. The curtains all around me are a burial shroud, my last savior from the inside world. I dream of flowers on my grave.

My record player is broken again. I can no longer listen to Moonlight Sonata. I try to trace the grooves myself, dirty fingernails up on pointe. The scratching doesn't block out the call though. I disconnected my phone and found it here, in my head. I dream of my hands bound, tied to everyone before and after me.

The thing in my closet is bringing me home. I guess I’ve put it off long enough. I taste the raw steak I had for dinner, my last refuge from humanity. I should be ready, I know, and at least I’m prepared; dressed all in white, I am something to behold. I cannot brush my hair before I go, I can’t make myself do it. Even my hands refuse to move for once. I do not dream.

(You need not be afraid, you were born for this)



Alexis LaMantia is a poet-and-punk born and raised in New Jersey. They have a penchant for the queer, the morbid, and the holy. Find them on Twitter: @amjlamantia.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
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Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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