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Remember last thursday

You pushed M down into the gravel

Beneath the swingset

And she skinned her knee?

M didn’t wail that day

Not like the first

When your mama said it was ‘cause you liked her

But got to her feet

And tackled little laughing adorable you

So hard your pebble-dented elbows

Bruised for a week

 

This is like that.

 

She has outdone herself again, the Child

Say the torn sigils

Tangled in bones on the lawn.

All of willow ave is a poem

The residents, sacrifices

Forward cries gargle in bursting throats

Screams and lyrics to the ice cream truck's jingle

warped and blaring from where it crashed

into the community's wrought-iron gate

 

All part of your song.

 

She started this war for you, you know

The boy who taught Death

Romantic gestures have their roots

In violence.

 

Synchronized sprinklers run crimson

Rivulets into pristine gutters

Like ribbons wrapping lovers' gifts.

An SUV

door ajar

Explodes like burning passion

Like fireworks in the kisses

she's heard so much about

 

She waits for one

in the cul-de-sac

Fidgeting between the Millers' and Greens' mailboxes

All dark hair and sparkling eyes

A pretty dress with butterflies on it

And in her stomach

Worried this wasn't enough

 

Best get on with it.



L. D. Lewis is an award-winning SF/F writer and editor, and serves as a founding creator, Art Director, and Project Manager for the World Fantasy Award-winning and Hugo Award-nominated FIYAH Literary Magazine. She primarily writes stories of ordinary Black women and femmes with extraordinary powers in equally extraordinary worlds. She lives in Georgia with her coffee habit and an impressive Funko Pop! collection. She is the author of A Ruin of Shadows (Dancing Star Press, 2018), and her published short fiction includes appearances in FIYAH, PodCastle, Anathema: Spec from the Margins, and Fireside Magazine, among others. Visit her website, follow her on Twitter @ellethevillain, and/or support her Patreon.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
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By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
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Issue 10 Feb 2025
By: Alexandra Munck
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Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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