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Dora Arreola is the Artistic Director of Mujeres en Ritual Danza Teatro. She has more than 25 years of professional experience as a theatre and dance artist. She is currently an Associate Professor in the School of Theatre and Dance at the University of South Florida. She founded the company Mujeres en Ritual in 1999, and has worked as a performer, teacher, director and movement specialist in Mexico, the United States, Nicaragua, Canada, Poland and India. She received her MFA in Directing from the University of Massachusetts-Amherst in 2009. Arreola has directed more than 30 productions, often featured in diverse international festivals. She choreographed and performed Versalii Icones at Judson Church in NYC (2009); La Urdimbre at La MaMa ETC; Ananya Dance Theater's Daak at the SouthernTheater in Minneapolis, and co-created, directed and performed in Fronteras Desviadas/Deviant Borders which toured in Mexico, USA, Nicaragua and Canada. Arreola has taught workshops and master classes at various universities and cultural institutions including: the Grotowski Institute (Poland), Arizona State University, University of Massachusetts-University of Minnesota, California State University-San Marcos, California and Center for the Arts. She has received grants and commissions from the Ford Foundation, Cultural Contact (US-Mexico Fund for Culture), Fideicomiso para la Cultura de Mexico y Estados Unidos, the National Performance Network, and more.


Dora Arreola in our archives
Current Issue
20 Jan 2025

Strange Horizons
Surveillance technology looms large in our lives, sold to us as tools for safety, justice, and convenience. Yet the reality is far more sinister.
Vans and campers, sizeable mobile cabins and some that were barely more than tents. Each one a home, a storefront, and a statement of identity, from the colorful translucent windows and domes that harvested sunlight to the stickers and graffiti that attested to places travelled.
“Don’t ask me how, but I found out this big account on queer Threads is some kind of super Watcher.” Charlii spins her laptop around so the others can see. “They call them Keepers, and they watch the people that the state’s apparatus has tagged as terrorists. Not just the ones the FBI created. The big fish. And people like us, I guess.”
It's 9 a.m., she still hasn't eaten her portion of tofu eggs with seaweed, and Amaia wants the day to be over.
Nadjea always knew her last night in the Clave would get wild: they’re the only sector of the city where drink and drug and dance are unrestricted, and since one of the main Clavist tenets is the pursuit of corporeal joy in all its forms, they’ve more or less refined partying to an art.
surviving / while black / is our superpower / we lift broken down / cars / over our heads / and that’s just a tuesday
After a few deft movements, she tossed the cube back to James, perfectly solved. “We’re going to break into the Seattle Police Department’s database. And you’re going to help me do it.”
there are things that are toxic to a bo(d)y
By: Michelle Kulwicki
Podcast read by: Emmie Christie
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Michelle Kulwicki's 'Bee Season' read by Emmie Christie.
Friday: Revising Reality: How Sequels, Remakes, Retcons, and Rejects Explain The World by Chris Gavaler and Nat Goldberg 
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
Issue 23 Dec 2024
Issue 16 Dec 2024
Issue 9 Dec 2024
Issue 2 Dec 2024
By: E.M. Linden
Podcast read by: Jenna Hanchey
Issue 25 Nov 2024
Issue 18 Nov 2024
By: Susannah Rand
Podcast read by: Claire McNerney
Issue 11 Nov 2024
Issue 4 Nov 2024
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