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Dora Arreola is the Artistic Director of Mujeres en Ritual Danza Teatro. She has more than 25 years of professional experience as a theatre and dance artist. She is currently an Associate Professor in the School of Theatre and Dance at the University of South Florida. She founded the company Mujeres en Ritual in 1999, and has worked as a performer, teacher, director and movement specialist in Mexico, the United States, Nicaragua, Canada, Poland and India. She received her MFA in Directing from the University of Massachusetts-Amherst in 2009. Arreola has directed more than 30 productions, often featured in diverse international festivals. She choreographed and performed Versalii Icones at Judson Church in NYC (2009); La Urdimbre at La MaMa ETC; Ananya Dance Theater's Daak at the SouthernTheater in Minneapolis, and co-created, directed and performed in Fronteras Desviadas/Deviant Borders which toured in Mexico, USA, Nicaragua and Canada. Arreola has taught workshops and master classes at various universities and cultural institutions including: the Grotowski Institute (Poland), Arizona State University, University of Massachusetts-University of Minnesota, California State University-San Marcos, California and Center for the Arts. She has received grants and commissions from the Ford Foundation, Cultural Contact (US-Mexico Fund for Culture), Fideicomiso para la Cultura de Mexico y Estados Unidos, the National Performance Network, and more.


Dora Arreola in our archives
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Issue 15 Apr 2024
By: Ana Hurtado
Art by: delila
Issue 8 Apr 2024
Issue 1 Apr 2024
Issue 25 Mar 2024
By: Sammy Lê
Art by: Kim Hu
Issue 18 Mar 2024
Strange Horizons
Issue 11 Mar 2024
Issue 4 Mar 2024
Issue 26 Feb 2024
Issue 19 Feb 2024
Issue 12 Feb 2024
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