In place of fear that they will lose control, the posthumans accept that control was never in their grasp and that the natural world extends beyond their reach and that nature has a beauty that is beyond the human.
Solarpunk reminded me that growing your own food is a thing, that we can make or grow something rather than buy it, that technology can help us redirect the trajectory of the world.
This Mind and Body Cyborg as a queer figure raises its head in Amal El-Mohtar and Max Gladstone’s 2019 epistolary novel This Is How You Lose the Time War, as two Cyborg bodies shed their previous subjectivities in order to find a queer understanding of one another.
By engaging the vampiric archetype, Butler and Gomez write black queer lives into an eternal future where we can continue our coalition building, our resistance of hegemony, and the creation of chosen families.
Reading “Good Hunting,” which fuses Sinology with speculative fiction, makes me feel something I can’t quite articulate, between the Eureka spark of insight and the quiet thrill of winning a game.
Orcs are a species—more commonly labeled a “race”—of wicked, dangerous humanoids found en masse in JRR Tolkien’s Middle-earth as well as most of analog and electronic gaming. But Tolkien derived their ugly appearance and savage temperament, like almost all orcish traits common across different media, from a long and painful history.
