For this first quarterly roundup of speculative fiction, put together in such difficult times, Maria Haskins' unofficial theme is hope and happiness, resilience and resistance.
Carl just said ‘if the skull wants to break out, it will have to come to me for the key’, which makes me think that Carl doesn’t really understand how breaking out of a place works.
Perhaps for every African speculative fiction novel translated into whatever language, the publisher could publish another African author in their own language.
We need to acknowledge that publishing has a white people blind spot, as well as defensiveness about the actual representation problems. Being racist does not mean necessarily that you’re incapable of change; looking inside yourself to find those blind spots is the first step.
Who are those Afro-descendent voices outside of the United States, and how do they think of themselves? What is their role in the struggle? Do they even adhere to Afrofuturism, and why?
