Size / / /

Born to life in 1947 (France), and to science-fiction in 1964. Teaches French Literature and Creative Writing on and off at various universities in Quebec (since immigration, in 1973). “Fulltime writer” since 1990, (despite PhD. in Creative Writing, 1987), i.e. translator, SF convention organizer, literary editor (Solaris magazine), essayist. Still managed to publish fifteen novels and eight short stories collections in French, two in English (Slow Engines of Time, Blood Out of A Stone). Five novels translated in English, (The Silent City, In the Mothers' Land aka The Maerlande Chronicles—1993 Philip K. Dick’ s Special Award and a finalist of the 1993 Tiptree Award —Reluctant Voyagers, Dreams of the Sea (Tyranaël I, 2003), A Game of Perfection (Tyranaël 2, 2005) ; other translations in German. The more recent novels, Reine de Mémoire (2005-2007, five books), received four major awards in Quebec. Numerous short stories published in French and English. Also writes for children and YA. More than thirty awards in France, Canada, Quebec and the States, among which the Grand prix de la SF française ((1982), le Grand Prix de la SF et du fantastique québécois (three times), le Philip K. Dick Special Award, le Prix du Conseil québécois de la Femme en littérature (1998, a one-time literary award given by the Quebecois Council for Women’s Affairs on its twentieth anniversary), and seven Aurora awards (last one for Reine de Mémoire 5, 2007).

More information can be found at her SFWA author page or, in French, her website.


Élisabeth Vonarburg in our archives
Current Issue
20 Jan 2025

Strange Horizons
Surveillance technology looms large in our lives, sold to us as tools for safety, justice, and convenience. Yet the reality is far more sinister.
Vans and campers, sizeable mobile cabins and some that were barely more than tents. Each one a home, a storefront, and a statement of identity, from the colorful translucent windows and domes that harvested sunlight to the stickers and graffiti that attested to places travelled.
“Don’t ask me how, but I found out this big account on queer Threads is some kind of super Watcher.” Charlii spins her laptop around so the others can see. “They call them Keepers, and they watch the people that the state’s apparatus has tagged as terrorists. Not just the ones the FBI created. The big fish. And people like us, I guess.”
It's 9 a.m., she still hasn't eaten her portion of tofu eggs with seaweed, and Amaia wants the day to be over.
Nadjea always knew her last night in the Clave would get wild: they’re the only sector of the city where drink and drug and dance are unrestricted, and since one of the main Clavist tenets is the pursuit of corporeal joy in all its forms, they’ve more or less refined partying to an art.
surviving / while black / is our superpower / we lift broken down / cars / over our heads / and that’s just a tuesday
After a few deft movements, she tossed the cube back to James, perfectly solved. “We’re going to break into the Seattle Police Department’s database. And you’re going to help me do it.”
there are things that are toxic to a bo(d)y
By: Michelle Kulwicki
Podcast read by: Emmie Christie
  In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Michelle Kulwicki's 'Bee Season' read by Emmie Christie Subscribe to the Strange Horizons podcast on ⁠⁠⁠⁠⁠Spotify.
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