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Ma wouldn’t tell me anything,
but I knew. That inkblot bruise
on your belly—it bloomed like
a dying star.

So hot that summer, your fingers
left bio-ink on the monkey bars.
“It’s sweat,” you said, your eyes
cutting, daring me to say otherwise.

Good times that summer. Saturday morning cartoons on our
dying TV. How I spun you in the dryer and you came out all
pixelated. Lego tower to heaven, we stacked by Lake Ontario,
so easy for you. How you were airbrushed by fumes from Ma’s
wok, fish boiling and Sichuan peppercorns sizzling like tiny
time bombs. Claps of joy and laughter, Ma’s face glowing red
from baijiu. My arm in a cast after the skateboarding crash,
yours reprinted anew. You telling me on that wet balcony in
Scarborough: “You can do anything.”

Then that bruise. Then two.
More bio-ink smearing off you like
pigment from a butterfly’s wing.

Blur. Break. Scream. Tires
screeching. Red valve shoved
down the slit in your neck,
pumping. Recalling the product
recall. Your atoms scrambled and
refused. Mouthing freezies in hospital
rooms stinking of old glue, my tongue
lime green, yours blueprint residue.
Holding your hand, hot heart beeping,
synthskin and boy bones, HD feelings.

On the postcard I received a month later:
Preserve my body groove, which was
so you.

When I visit Ma and she pours me tea,
she sometimes apologizes, still, for having had
to print me a brother that one time.

I always remind her of that summer, that one
summer, your last summer, one of many summers,
made real by their weight in sweat.



Millie Ho’s work appears in Lightspeed Magazine, Nightmare Magazine, Strange Horizons, Uncanny Magazine, and others. She was a finalist for the 2019 Rhysling Awards, and lives in Montreal. Find her at www.millieho.net and on Twitter @Millie_Ho.
Current Issue
16 Dec 2024

Across the train tracks from BWI station, a portal shimmered in the shade of a patch of tall trees. From her seat on a northbound train taking on passengers, Dottie watched a woman slip a note out of her pocket, place it under a rock, strip off her work uniform, then walk naked, smiling, into the portal.
exposing to the bone just how different we are
a body protesting thinks itself as a door out of a darkroom, a bullet, too.
In this episode of SH@25, Editor Kat Kourbeti sits down with Vivian (Xiao Wen) Li to discuss her foray into poetry, screenwriting, music composition and more, and also presents a reading of her two poems published in 2022, 'Ave Maria' and 'The Mezzanine'.
Issue 9 Dec 2024
Issue 2 Dec 2024
By: E.M. Linden
Podcast read by: Jenna Hanchey
Issue 25 Nov 2024
Issue 18 Nov 2024
By: Susannah Rand
Podcast read by: Claire McNerney
Issue 11 Nov 2024
Issue 4 Nov 2024
Issue 28 Oct 2024
Issue 21 Oct 2024
By: KT Bryski
Podcast read by: Devin Martin
Issue 14 Oct 2024
Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
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