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I lie when I say they’re the only part of him I remember, him spitting the porcelain mold into his blistered hands and chasing me through the development’s dust, clacking his teeth at me the way disgruntled skeletons rattle bones, as though he were trying to scare a cloud of red into my heart, hurling his laugh skywards toward the void his constellation would soon live.

I remember his hair long like the sinew of a red willow’s heart. His feet light as starved November leaves carrying his tree-trunk self clear across the pow-wow, aunties holding me in their laps and telling me his stories—how he had kept a pet skunk, how he saved a girl tossed into the lake by a spurned lover, how he and his brother had set fire to a boarding school.

To me, he had always been living legend. Unattainable, spinning out of reach from me

like planets from their moons.

But it is his teeth that clench the eye of my memory the way weasels win throats, or how roots hold strong in the snow. If I could cradle them in my hands, I’d hold them close and let them dissolve into my chest, listen as his molars blossom like seeds in the dank mulch of my heart, ask if he were proud of who I’ve become.

His teeth would chatter and implore me to gaze into any stretch of sky and see a mirror.



Halee Kirkwood is a recent graduate of Northland College and will be soon attending Hamline University’s MFA program. Kirkwood also served as an editor for Aqueous Magazine, a Lake Superior region Literary & Performing Arts magazine. You can often find Kirkwood haunting the Twin Cities Metro Transit, staring out of windows and daydreaming about what secrets the roadside plants keep.
Current Issue
11 Nov 2024

Their hair permed, nails scarlet, knees slim, lashes darkly tinted.
green spores carried on green light, sleeping gentle over steel bones
The rest of the issue is on its way. We think.
In the 4th episode of SH@25, Editor Kat Kourbeti sits down with tabletop game designer and SFF critic Kyle Tam, whose young career has taken off in the last few years. Read on for an insightful interview about narrative storytelling from non-Western perspectives, the importance of schlock and trash in the development of taste, and the windows into creativity we find in moments of hardship.
After the disaster—after the litigation, the endless testimony, the needling comments of the defendant’s counsel—there is at last a settlement, with no party admitting error, and the state recognizing no victim, least of all yourself. Although the money cannot mend any of the overturned things left behind, it can pay for college, so that’s where you go next.
Issue 4 Nov 2024
Issue 28 Oct 2024
Issue 21 Oct 2024
By: KT Bryski
Podcast read by: Devin Martin
Issue 14 Oct 2024
Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
Issue 30 Sep 2024
Issue 23 Sep 2024
By: LeeAnn Perry
Art by: nino
Issue 16 Sep 2024
Issue 9 Sep 2024
Issue 2 Sep 2024
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