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Today I walk stalk. Pick up a rose petal,
pocket crumple its fuchsia. All of the jasmine is mine.
Wilting. The neighbors are stupid. They shaved off
the blooms of their sunrise lantana so all of the monarchs
got bored then left. I stalk walk and hunger curdles
like a middle finger on the ramp, merging into traffic.
I miss it. The throaty curses, the smog curled into a tongue-like cup.
I used to eat it like a fist. On the news, they said pregnant people
have to give birth alone. These lone portals of agony and affirmation.
I walk stalk the hospital right off the freeway. The sign painted neon
underneath my eyes. My tongue, folded neatly inside my mask.
None of the birthers knew all those times my winged shadow
pressed against their windows. The nurses, these pinsan of mine,
they knew. The names they called me (you know them): baby thief. Murderess.
I’m not here for that. Not today, at least. I’ve tunneled my hunger
down deep. Here to slow dance with you. Here to prop your wings
up. Here to whistle a melody against the percussion
of intermittent fetal monitoring. Here to hear
you crack spring open, then tumble all of the seasons. I’m here.



Rachelle Cruz is the author of God’s Will for Monsters, which won an American Book Award and the Hillary Gravendyk Poetry Prize. She currently teaches Genre Fiction in the MFA program in Creative Writing at Western Colorado University.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Monster of the Week as Realism 
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
Friday: Adam and Eve in Paradise by José Maria de Eça de Queirós, translated by Margaret Jull Costa 
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Issue 20 Jan 2025
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Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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