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The first three hours don’t hurt, but
the last two hundred do. The tattoo
table holds me taut, my endorphins
radiating temporary highs. Turns out
tempered resilience outlasts regimes.

Bio-inked-needles cycle from scratches
into scraping metal on skin, as they
create on me a stunning horror.

Scalp to toenail, bioluminescent tattoos
coat my body, skin turned an emotional
color wheel by vibrant self-illuminating
polychromatic purples & pinks & then
aquas & ambers. Bioluminescence spells
out in abstract typography each word
of their one-sided written constitution.

The government language I defied
now emblazes my every living cell.

For eleven years I graffitied willing skin
& on receptive concrete anti-State,
wholesome revolutionary action.

Caught beautifying an agricultural college’s
admin building, they shipped me away
twenty lightyears, threw me into a prison
box somewhere in the spiral arm’s capital.

Now here I live, within a glass box jail
in the middle of buzzing downtown.

I’m a captivating art piece on display,
a breathing neon propaganda sign
producing its own light to illuminate
a sadistic incarcerator’s idioms.

I’m a model who no one loves. I have no
long, horizontal runway below me, merely
vertical glass panes & gawkers inspecting
vivid tattoos only bright through my skin
because of the endless battle between my
immune system & embedded phosphorus.

Children come up & read my skin,
cock their heads, snicker while learning
only the value of human advertising.

At night I’m furnished a tattoo machine
along with tech to upkeep their artwork.
Forced to craft my own light, my own hope,
I secretly infuse each tattoo with bioelectric
transmitters powered by body heat & muscle.

Anyone near with a wireless receiver
will hear my body scream, “hack me—
come rewrite their displayed laws.”

I was ordered to showcase these colored scars
in public humiliation, as if revealing my only value.

Soon instead, I’ll display how to rewrite society.



Casey Aimer is a science fiction poet who holds master’s degrees in both poetry and publishing. He works for a non-profit publishing science research articles and is founder of Radon Journal, an anarchist science fiction semiprozine. His poetry has been featured in Space and Time Magazine, Apparition Lit, Star*Line, Heartlines Spec, and many more. His work has been a Rhysling Award finalist and Soft Star Magazine contest winner. An SFWA and SFPA member, he can be found on Bluesky and at CaseyAimer.com.
Current Issue
11 Nov 2024

Their hair permed, nails scarlet, knees slim, lashes darkly tinted.
green spores carried on green light, sleeping gentle over steel bones
The rest of the issue is on its way. We think.
In the 4th episode of SH@25, Editor Kat Kourbeti sits down with tabletop game designer and SFF critic Kyle Tam, whose young career has taken off in the last few years. Read on for an insightful interview about narrative storytelling from non-Western perspectives, the importance of schlock and trash in the development of taste, and the windows into creativity we find in moments of hardship.
The Lord of Mice’s Arrows 
After the disaster—after the litigation, the endless testimony, the needling comments of the defendant’s counsel—there is at last a settlement, with no party admitting error, and the state recognizing no victim, least of all yourself. Although the money cannot mend any of the overturned things left behind, it can pay for college, so that’s where you go next.
Friday: One Hundred Shadows by Hwang Jungeun, translated by Jung Yewon 
Issue 4 Nov 2024
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Issue 21 Oct 2024
By: KT Bryski
Podcast read by: Devin Martin
Issue 14 Oct 2024
Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
Issue 30 Sep 2024
Issue 23 Sep 2024
By: LeeAnn Perry
Art by: nino
Issue 16 Sep 2024
Issue 9 Sep 2024
Issue 2 Sep 2024
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