Size / / /

Middle-aged and bifocaled, she waits at the stop sign for them to fly past,

windows open to welcome the hot air—better than watching through haze.

She grips the wheel, each new wrinkle on her hand another impossibility

between them.  Out of time.  Displaced person.  She is not supposed to be there,

her silence like a cancer—and everything vinegar on her tongue.

She is afraid to blink, to miss them, while the ice cream melts in her trunk.

Suddenly they ride with eyes ablaze, unfettered and invincible for fifteen minutes,

charging past cars, ignoring traffic lights.  There is freedom in each small rebellion.

 

The oldest with his curly hair and wild eyebrows seems to recognize her.

His mouth a full grin, his braces shining, he winks with a fleeting confidence that only comes

on two wheels in motion.  Fearless and beautiful in awkward angles,

he is like all the boys from books she adored when she was young; clever boys

with secrets—closet skeletons, noble hearts, and stepmothers' curses.

 

The bikes whir and flap, playing cards clipped to their spokes with clothespins,

and as the youngest passes, she sees the seven of clubs fastened to one wheel,

punctuating his ride with a clack-clack-clack that brings the bike one step closer

to the roar of a motorcycle.  She watches her brothers as they turn the corner

and rise up off the ground, trading wheels for wings, leaving this world behind—

endangered and unstoppable.  On the seat beside her, under needles and starwort,

are six shirts tear-stained, one still not finished, and behind her the siren draws near.



Valya Dudycz Lupescu is the author of The Silence of Trees and founding editor of Conclave: A Journal of Character. Her poetry and prose have been published in Gone Lawn, Jersey Devil Press, Mythic Delirium, Danse Macabre, Fickle Muses, Abyss & Apex, Pedestal Magazine, Doorknobs & Bodypaint, and other places. Since earning her MFA in Writing from the School of the Art Institute of Chicago, Valya has worked as a college professor, obituary writer, content manager, goth cocktail waitress, and co-producer of an independent feature film. Her first comic book, Sticks & Bones, created with artist Madeline C. Matz, was successfully crowdfunded via kickstarter. They are now working on the next three issues to be published by First Comics. Her website is www.vdlupescu.com.
Current Issue
27 Jan 2025

Believe me, it was obvious from the get-go who was endangered by 1967’s Dangerous Visions .
By: River
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We can see conservative values, fears, and hopes playing out in many Western science fiction works—and patriarchal ideals around motherhood, reproduction, and family are everywhere.
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Collective Dreaming: The Schrödinger’s Cat Approach to Framing Futures         
The key is to evade the rigid and hegemonic structures of Western-oriented writing.
And Back Again: The Enduring Appeal of Peter Jackson’s Lord of the Rings Trilogy 
It’d be an understatement to say that The Return of the King fundamentally altered my brain chemistry.
What of material effect will all this criticism have achieved? Reader, we can’t say. Maybe none. But maybe some. Who knows?
Wednesday: Takaoka’s Travels by Tatsuhiko Shibusawa 
Friday: We Are All Monsters: How Deviant Organisms Came to Define Us by Andrew Mangham 
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Issue 18 Nov 2024
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