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The only time we’ve ever held hands
was during the two-step
at a powwow at the high school
gymnasium, medicine wheel flags
competing with ol’ glory’s violent clatter,
the aroma of tangy venison aching
against the pervasive scent
of steamed broccoli
and government-regulation pizza.

When we watched the Duck Dance
you explained to me that we did not
dance in the name of waterfowl,
though we preened
and fussed with our hair,
oily feathers cropped short
and close to the scalp.

But for our only dance we
dipped and hopped
on one foot as the emcee
called, laughing between
fancy shawls and jingle dresses,
shimmering rainbows of brown
and green. Wet trouts, us out
of water, out of place—

my skin a shade too light for a tribal ID,
yours dark with the Aztec love
of death and vultures.

I imagined we were wedded
beneath the arc of clasped hands
bangled with beaded spring flora.
That our flower girl would sprinkle
tobacco leaves instead of rose petals
before you plucked me apart
with your blood-smudged claws.
That we would be gifted the names
we’d yearned for our whole lives.

But you are a boy
who likes boys and I
am a something that likes
everyone and I am picked
over before the drumming even ends.




Halee Kirkwood is a recent graduate of Northland College and will be soon attending Hamline University’s MFA program. Kirkwood also served as an editor for Aqueous Magazine, a Lake Superior region Literary & Performing Arts magazine. You can often find Kirkwood haunting the Twin Cities Metro Transit, staring out of windows and daydreaming about what secrets the roadside plants keep.
Current Issue
11 Nov 2024

Their hair permed, nails scarlet, knees slim, lashes darkly tinted.
green spores carried on green light, sleeping gentle over steel bones
The rest of the issue is on its way. We think.
In the 4th episode of SH@25, Editor Kat Kourbeti sits down with tabletop game designer and SFF critic Kyle Tam, whose young career has taken off in the last few years. Read on for an insightful interview about narrative storytelling from non-Western perspectives, the importance of schlock and trash in the development of taste, and the windows into creativity we find in moments of hardship.
After the disaster—after the litigation, the endless testimony, the needling comments of the defendant’s counsel—there is at last a settlement, with no party admitting error, and the state recognizing no victim, least of all yourself. Although the money cannot mend any of the overturned things left behind, it can pay for college, so that’s where you go next.
Issue 4 Nov 2024
Issue 28 Oct 2024
Issue 21 Oct 2024
By: KT Bryski
Podcast read by: Devin Martin
Issue 14 Oct 2024
Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
Issue 30 Sep 2024
Issue 23 Sep 2024
By: LeeAnn Perry
Art by: nino
Issue 16 Sep 2024
Issue 9 Sep 2024
Issue 2 Sep 2024
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