Size / / /

Content warning:


The only time we’ve ever held hands
was during the two-step
at a powwow at the high school
gymnasium, medicine wheel flags
competing with ol’ glory’s violent clatter,
the aroma of tangy venison aching
against the pervasive scent
of steamed broccoli
and government-regulation pizza.

When we watched the Duck Dance
you explained to me that we did not
dance in the name of waterfowl,
though we preened
and fussed with our hair,
oily feathers cropped short
and close to the scalp.

But for our only dance we
dipped and hopped
on one foot as the emcee
called, laughing between
fancy shawls and jingle dresses,
shimmering rainbows of brown
and green. Wet trouts, us out
of water, out of place—

my skin a shade too light for a tribal ID,
yours dark with the Aztec love
of death and vultures.

I imagined we were wedded
beneath the arc of clasped hands
bangled with beaded spring flora.
That our flower girl would sprinkle
tobacco leaves instead of rose petals
before you plucked me apart
with your blood-smudged claws.
That we would be gifted the names
we’d yearned for our whole lives.

But you are a boy
who likes boys and I
am a something that likes
everyone and I am picked
over before the drumming even ends.




Halee Kirkwood is a recent graduate of Northland College and will be soon attending Hamline University’s MFA program. Kirkwood also served as an editor for Aqueous Magazine, a Lake Superior region Literary & Performing Arts magazine. You can often find Kirkwood haunting the Twin Cities Metro Transit, staring out of windows and daydreaming about what secrets the roadside plants keep.
Current Issue
16 Dec 2024

Across the train tracks from BWI station, a portal shimmered in the shade of a patch of tall trees. From her seat on a northbound train taking on passengers, Dottie watched a woman slip a note out of her pocket, place it under a rock, strip off her work uniform, then walk naked, smiling, into the portal.
exposing to the bone just how different we are
a body protesting thinks itself as a door out of a darkroom, a bullet, too.
In this episode of SH@25, Editor Kat Kourbeti sits down with Vivian (Xiao Wen) Li to discuss her foray into poetry, screenwriting, music composition and more, and also presents a reading of her two poems published in 2022, 'Ave Maria' and 'The Mezzanine'.
Issue 9 Dec 2024
Issue 2 Dec 2024
By: E.M. Linden
Podcast read by: Jenna Hanchey
Issue 25 Nov 2024
Issue 18 Nov 2024
By: Susannah Rand
Podcast read by: Claire McNerney
Issue 11 Nov 2024
Issue 4 Nov 2024
Issue 28 Oct 2024
Issue 21 Oct 2024
By: KT Bryski
Podcast read by: Devin Martin
Issue 14 Oct 2024
Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
Load More