Size / / /

Content warning:


The radio says today is the birthday of Jasper Johns,
born in Augusta, Georgia in 1930.
He was famous for paintings of flags and maps.
Who cares says my daughter,
I don’t know.
I writhe in bed with fever, chills,
chatters and shivers.
The near becomes far as the far comes close.
It is an auspicious day for Jasper in the past century,
but this century illness booked my day.
A daughter who usually doesn’t care
talks at bedside without pause.
Something is different.
Never go hunting on an empty stomach, says my daughter.
I stare at the cap backwards on her head.
We are diverted by the cat hacking up a hairball.
How hard, my daughter asks,
would it be to paint a flag, anyway.
I’m mean, it’s just a picture of a symbol of something else.
What pretentious bad taste to push that.
Then we listen to a history program.
Napoleon leads 500,000 soldiers into Russia
all the way to Moscow, which the Russians burn.
The soldiers try to leave as winter comes.
Only 20,000 return to France.
Damn, I miss the summers.
My daughter wants to decorate my plain room
with quaint rock star posters,
then as a rejected stage set from Star Trek.
She is angry about Napoleon’s army,
angry with the bare wall.
She twists her cap back.
Put a map on the wall, I say.
Put flags where my life ventured once,
symbols of whatever those events mean,
before it leaves this tiny country.



J. Alan Nelson has poetry and stories published or forthcoming in numerous journals, including New York Quarterly, Main Street Rag, The Texas Observer, and Whale Road Review. He was the lead in the viral video “Does This Cake Make Me Look Gay?” and was “Silent Al” in the Emmy-winning “SXSWestworld.”
Current Issue
20 Jan 2025

Strange Horizons
Surveillance technology looms large in our lives, sold to us as tools for safety, justice, and convenience. Yet the reality is far more sinister.
Vans and campers, sizeable mobile cabins and some that were barely more than tents. Each one a home, a storefront, and a statement of identity, from the colorful translucent windows and domes that harvested sunlight to the stickers and graffiti that attested to places travelled.
“Don’t ask me how, but I found out this big account on queer Threads is some kind of super Watcher.” Charlii spins her laptop around so the others can see. “They call them Keepers, and they watch the people that the state’s apparatus has tagged as terrorists. Not just the ones the FBI created. The big fish. And people like us, I guess.”
It's 9 a.m., she still hasn't eaten her portion of tofu eggs with seaweed, and Amaia wants the day to be over.
Nadjea always knew her last night in the Clave would get wild: they’re the only sector of the city where drink and drug and dance are unrestricted, and since one of the main Clavist tenets is the pursuit of corporeal joy in all its forms, they’ve more or less refined partying to an art.
surviving / while black / is our superpower / we lift broken down / cars / over our heads / and that’s just a tuesday
After a few deft movements, she tossed the cube back to James, perfectly solved. “We’re going to break into the Seattle Police Department’s database. And you’re going to help me do it.”
there are things that are toxic to a bo(d)y
By: Michelle Kulwicki
Podcast read by: Emmie Christie
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Michelle Kulwicki's 'Bee Season' read by Emmie Christie.
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
Issue 23 Dec 2024
Issue 16 Dec 2024
Issue 9 Dec 2024
Issue 2 Dec 2024
By: E.M. Linden
Podcast read by: Jenna Hanchey
Issue 25 Nov 2024
Issue 18 Nov 2024
By: Susannah Rand
Podcast read by: Claire McNerney
Issue 11 Nov 2024
Issue 4 Nov 2024
Load More