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Are you really sure that a floor can’t also be a ceiling?
—M.C. Escher

We replicated your experiments
in some elementary school classroom,
made delicate patterns
from circled     & inverted forms.

Now you come to me
a gifted black     & white postcard,
your staircases looping themselves
with     infinite     regularity.

How do_
                    you_
exist?                     draw an object
                    _that
_doesn’t

Pencil me     a space cubby, please,
a time hole where a woman could fit.
I tuck     nothing-fluff in after me,
seal edges & delete evidence of my escape,
roll until     ink jet black     covers all.

You can tessellate my leavings,
should you     find any that matter.

Otherwise,
let     me     be     junk
that flies to outer limits
where a man with (too many) arms
hugs himself, disappears.



Stefani Cox is a poet and writer with an MFA from UC Riverside. Her poetry chapbook, The Stars With You, was published by Cooper Dillon Books in 2022. Stefani’s work has also appeared in The Rumpus, LeVar Burton Reads, and Lost Balloon, among other outlets. Find her on Twitter @stefanicox or her website stefanicox.com.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 17 Mar 2025
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By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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