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can an island have ptsd?
maybe then, every earthquake
is just the land remembering
its tragedies
the hurricanes are the aftermath
of failed coping mechanisms
these harsh winds
are hyperventilations
and the earth is trying
to rid itself of the toxins
of past memories
with a tornado or two

she speaks to me   between the screaming   tells me her name
and that her birth date   precedes humanity
she remembers the first people   who called her home   called her mother
traveled between her sisters   on canoes that could hold   a hundred of her children
            asks me about my ancestors

and i am too embarrassed   to admit that i   have not left them an altar
i do not follow their traditions   and i want to call her mother
i want so badly   to call her by her name
            but she      does not
               belong to me

and upon hearing these thoughts   unspoken
she reaches a hand      for the single tear that meets   her palm
places it on a mango tree    attached to her back   and produces fruit

‘you were brought to me   in slavery
taken from me   by capital   but you will always
always   be a child   of mine’

and i weep
in the arms
of the mother
i once abandoned
for she
does not belong
to me
but i
will always
belong to
her



Rachelle Saint Louis is a Haitian-American writer, born and raised in South Florida. She received a 2018 Silver Medal in the Scholastic Art and Writing Competition for her poem “Red Blood Cell.” Her poetry has been published and/or is forthcoming in Rigorous Magazine, The Anti-Languorous Project, and Super Dope & Extra Lit. She has an MA in English Literature from Florida Atlantic University and you can find her nerding out over her latest reads @raethereviewer on Instagram and TikTok.
Current Issue
11 Nov 2024

Their hair permed, nails scarlet, knees slim, lashes darkly tinted.
green spores carried on green light, sleeping gentle over steel bones
The rest of the issue is on its way. We think.
In the 4th episode of SH@25, Editor Kat Kourbeti sits down with tabletop game designer and SFF critic Kyle Tam, whose young career has taken off in the last few years. Read on for an insightful interview about narrative storytelling from non-Western perspectives, the importance of schlock and trash in the development of taste, and the windows into creativity we find in moments of hardship.
After the disaster—after the litigation, the endless testimony, the needling comments of the defendant’s counsel—there is at last a settlement, with no party admitting error, and the state recognizing no victim, least of all yourself. Although the money cannot mend any of the overturned things left behind, it can pay for college, so that’s where you go next.
Issue 4 Nov 2024
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By: KT Bryski
Podcast read by: Devin Martin
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By: Christopher Blake
Podcast read by: Emmie Christie
Issue 30 Sep 2024
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By: LeeAnn Perry
Art by: nino
Issue 16 Sep 2024
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