Size / / /

Content warning:


the goblin queen hosts a feast of oil, and the night
slips down my throat as a dream.
every soup wears a sheen; every fish belly shudders
have you ever known such simple and supple desserts?

she is cast in points, oh Queen of Under Everything—
blessed are the copper teeth, righteous are the agate nails!
horns curled precious ‘round delicate ears, nose hooked
as a question toward bloodsweetened lips.

above, I dare say, there are those who call us sister-things.
and I tell her of the Jew who swallowed her mother’s diamonds;
passed them; ate them; passed them again;
carried her bitter hoard all the way to liberation day.

goblins do not pass anything, she declares on jagged tongue.
our bellies are as earth-core, our word is as the last.
better an eater than an ancestor,
better to finish the hunger right.

how I covet the dip of her pinky into viscous fossil wine;
my voice is thin as salted water, my myth is bonemeal dry.
I mouth misshapen prayers that were lost to the dark,
grieve the shoes I’ll devour one day for a daughter—

but I smith my silence to an iron gate for the queen
knows nothing of the work that sets you free.
would she cut my throat on such callous ease?
I want to pour out slowly, I don’t even want to stain.



Avi Silver is a spec fic author (Sãoni Cycle), editor (Augur Magazine), poet, and co-founder of The Shale Project. Find their short fiction in Common Bonds: An Aromantic Speculative Anthology, and more of their poetry forthcoming in Uncanny Magazine. Learn more at mxavisilver.com or on Twitter @thescreambean.
Current Issue
11 Nov 2024

Their hair permed, nails scarlet, knees slim, lashes darkly tinted.
green spores carried on green light, sleeping gentle over steel bones
The rest of the issue is on its way. We think.
In the 4th episode of SH@25, Editor Kat Kourbeti sits down with tabletop game designer and SFF critic Kyle Tam, whose young career has taken off in the last few years. Read on for an insightful interview about narrative storytelling from non-Western perspectives, the importance of schlock and trash in the development of taste, and the windows into creativity we find in moments of hardship.
After the disaster—after the litigation, the endless testimony, the needling comments of the defendant’s counsel—there is at last a settlement, with no party admitting error, and the state recognizing no victim, least of all yourself. Although the money cannot mend any of the overturned things left behind, it can pay for college, so that’s where you go next.
Issue 4 Nov 2024
Issue 28 Oct 2024
Issue 21 Oct 2024
By: KT Bryski
Podcast read by: Devin Martin
Issue 14 Oct 2024
Issue 7 Oct 2024
By: Christopher Blake
Podcast read by: Emmie Christie
Issue 30 Sep 2024
Issue 23 Sep 2024
By: LeeAnn Perry
Art by: nino
Issue 16 Sep 2024
Issue 9 Sep 2024
Issue 2 Sep 2024
Load More