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the goblin queen hosts a feast of oil, and the night
slips down my throat as a dream.
every soup wears a sheen; every fish belly shudders
have you ever known such simple and supple desserts?

she is cast in points, oh Queen of Under Everything—
blessed are the copper teeth, righteous are the agate nails!
horns curled precious ‘round delicate ears, nose hooked
as a question toward bloodsweetened lips.

above, I dare say, there are those who call us sister-things.
and I tell her of the Jew who swallowed her mother’s diamonds;
passed them; ate them; passed them again;
carried her bitter hoard all the way to liberation day.

goblins do not pass anything, she declares on jagged tongue.
our bellies are as earth-core, our word is as the last.
better an eater than an ancestor,
better to finish the hunger right.

how I covet the dip of her pinky into viscous fossil wine;
my voice is thin as salted water, my myth is bonemeal dry.
I mouth misshapen prayers that were lost to the dark,
grieve the shoes I’ll devour one day for a daughter—

but I smith my silence to an iron gate for the queen
knows nothing of the work that sets you free.
would she cut my throat on such callous ease?
I want to pour out slowly, I don’t even want to stain.



Avi Silver is a spec fic author (Sãoni Cycle), editor (Augur Magazine), poet, and co-founder of The Shale Project. Find their short fiction in Common Bonds: An Aromantic Speculative Anthology, and more of their poetry forthcoming in Uncanny Magazine. Learn more at mxavisilver.com or on Twitter @thescreambean.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
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By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
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Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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