Size / / /

                The captain in his cabin lay,
                a voice came to him and thus did say,
                "Prepare yourself and ship’s company,
                for tomorrow night you must lie with me."
                                                Traditional

The land is lost and all it held.
Never again will its name be spoken.
I opened my veins and pushed inside
gardens, graves, rocks, books,
first memories of light—but they spilled out of me,
all that I ruled once. The mountain roiled
like my gut, heaved lava
over carved stone and manuscript, and the seawind
blew the flower off the quince.

Oh, the quince. Shut up about the quince,
the last fucking seed you saved
behind your cheek, as in the avalanche
of fire and ash, our people
screamed and fell silent. You saved it and I
drew and drew on the power I held,
all of the structure in the world as I ran up the mountain—
—lovers, graves, blood, books—
cursing the ancestors who brought us here.
I pulled
on my might: the Royal House, the magic
of one, one, and two syllables,
most stable in the land,
benevolent and—fuck, I pulled
and pulled and pulled this structure out of me,
my marrow, my bone, my sinew, my gut,
all to hold my land in place.

Beneath the isles, underwave
where the Star of the Tides slept fitfully,
it stirred and strained, unbalancing the mountain,
unbalancing the world,
sifting
clouds of ash with smoke and thunder
where no structure in the world could hold it,
no ruler could devise
a defense to appease it—so I , I,  I—

I broke my mind. I broke the Royal House:
two syllables into one, seized the Warlord’s Triangle—
one, one, and one—the most dangerous, unstable
deepname configuration in the land,
the pinnacle of power, but it wasn’t about power.
Rage—
rage that my people were dying,
and you and your fucking gardens,
and I, powerless—
          you caught me as I fell,
           the seed behind your cheek, you caught me
               as I fell

Endeavor to ensoul the sea;
sailing from our home's ruin—later
will they say that we sang?
No—tossed by the storm,
we clenched our teeth
not looking at each other.
Survivors. Those lost trailed us as ghosts,
then one by one licked off by the wave—we hid
in our cheeks that last ash,
last sputter of home: seed and thread,
emerald and clumps of earth
into which we’ll never again sink our fingers—

           I stretched
my arms, and with all my might
that had failed and failed us again,
I made a structure out of the deep sea,
subdued the unconquerable wave,
stretched threads of light between my sailors
and they, too, joined me
until the sea was pacified.

           Why not before? Why not this gloriously before
           when we had no reason to hoard shards,
           our home still anchored in the slumbering star?

You do not answer.
Like the others, you keep silent,
your mouth already sprouting.




R.B. Lemberg (they/them) is a queer, bigender immigrant from Ukraine to the US. R.B. is an author of six books of speculative fiction and poetry, an academic, and a translator from Ukrainian and Russian. R.B.’s work has been shortlisted for the Le Guin Prize for Fiction, Nebula, Locus, Ignyte, World Fantasy, and other awards. You can find R.B. on Instagram at @rblemberg, Bluesky at @rblemberg.bsky.social, and at their website rblemberg.net.
Current Issue
31 Mar 2025

We are delighted to present to you our second special issue of the year. This one is devoted to ageing and SFF, a theme that is ever-present (including in its absence) in the genre.
Gladys was approaching her first heat when she shed her fur and lost her tail. The transformation was unintentional, and unwanted. When she awoke in her new form, smelling of skin and sweat, she wailed for her pack in a voice that scraped her throat raw.
does the comb understand the vocabulary of hair. Or the not-so-close-pixels of desires even unjoined shape up to become a boat
The birds have flown long ago. But the body, the body is like this: it has swallowed the smaller moon and now it wants to keep it.
now, be-barked / I am finally enough
how you gazed on our red land beside me / then how you traveled it, your eyes gone silver
Here, I examine the roles of the crones of the Expanse space in Persepolis Rising, Tiamat’s Wrath, and Leviathan Falls as leaders and combatants in a fight for freedom that is always to some extent mediated by their reduced physical and mental capacity as older people. I consider how the Expanse foregrounds the value of their long lives and experience as they configure the resistance for their own and future generations’ freedom, as well as their mentorship of younger generations whose inexperience often puts the whole mission in danger.
In the second audio episode of Writing While Disabled, hosts Kristy Anne Cox and Kate Johnston welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.
Issue 24 Mar 2025
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
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