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   see
—fingers opening up a corpse
—a girl crawling into her dead mother
—maggots + blackened decay
—a girl alone in the dark + newborn, dead
—umbilicus, blood, mud
—a sun-headed god wielding a flaming sword
—bithbenia, homeland, droughting
—swamps + farms vomiting black waters + forests falling like the twins of wan
—the sun splitting itself in four
—grand cities crumbling,
yulia, maanka, kalith,
like dreams, or clouds
—a lover with no face
—an army rising in your name +
an army rising against all that you are
—the downfall of the kalrr of bithoen

   hear
—look at all they’ve done
—the silence of the gods + the roar of betrayal
—the whetting of swords
—they banish me, and take my eyes, that i may not find the road back again. i will pray no more to the one hundred gods of bithbenia
—boots stomping dry earth
—a blind girl begging strangers to drag her to her mother’s grave, at the edge of the city
—senseless whispers, like flowing water
—mama, mama. how dare you let them go free? they burnt our home to the ground, mama, killed your sons, killed papa, took all we have. i will not even say what they did to me. am i not bleeding? has my husband not been murdered? have you not been called the witch of yulia, derawudin’s daughter? how dare you stay in your grave,
                          unmoving?
—why are you in my grave, unmoving?

 

 

[Editor’s Note: Publication of this poem was made possible by a gift from Betsy Aoki during our annual Kickstarter.]



Victor Forna is a Sierra Leonean writer based in his country’s capital city Freetown. His short fiction and poetry have been published or are forthcoming in Fantasy Magazine, Lightspeed Magazine, Nightmare Magazine, and elsewhere. He is an alumnus of the 2022 AKO Caine Prize Writing Workshop. He tweets @vforna12. For more, https://linktr.ee/vforna.
Current Issue
16 Dec 2024

Across the train tracks from BWI station, a portal shimmered in the shade of a patch of tall trees. From her seat on a northbound train taking on passengers, Dottie watched a woman slip a note out of her pocket, place it under a rock, strip off her work uniform, then walk naked, smiling, into the portal.
exposing to the bone just how different we are
a body protesting thinks itself as a door out of a darkroom, a bullet, too.
In this episode of SH@25, Editor Kat Kourbeti sits down with Vivian (Xiao Wen) Li to discuss her foray into poetry, screenwriting, music composition and more, and also presents a reading of her two poems published in 2022, 'Ave Maria' and 'The Mezzanine'.
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