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Their first mistake was letting me choose the task.
These proud suitors
Sons of kings and conquerors
Star-touched and god-born
these heroes dreaming laurels upon their brows,
their bronzed shoulders gleaming with imagined glory.
I chose the track to be my battleground—
a footrace on hard-packed red earth
beneath a blazing sun.

Their second mistake was letting me set the terms.
They want just to want, take just to take.
Coffers overflowing with coin and spice,
Myths littered with the names of maidens saved, brides won.
I chose the freedom to want, to take, to be
more than diversion, than challenge,
than prize.
My story in history.
Their crowns laid at my feet.

Their third mistake was letting me compete at all.
This low-born girl
Daughter of borderlands and wilds
Friendless and nameless
without the certainty of grand auspices taken by
vapor-veiled oracles at the mouths of yawning caves.
I chose to break my chains and defy those gods
who would have me play their
thrice rigged game.

One fairest fruit to bring nations to war.
Two nectar-ripe taken as Labour performed.
Three made of gold to catch a warrior maid,
to siphon the wind from her unparalleled pace
to weigh down her spirit, and bind
her unruly mane
her hand to an unwanted marriage, the
vanity of a man who prayed.

I choose to make my own claim and bend
my life like the wanderer’s great bow,
the huntress’ crescent,
my will an arrow.

So when the trumpets blare and the starting ropes drop,
they’ll only see the flash of my earth-dark legs,
a cloud of nightshade hair, and
those damned apples I brought
tumbling in my wake.
I’ll snap sinew,
cleave meat from bone
Burn up my lungs and
ignite my blood
until I am

Storm-born
Quick as thought,
Bright as a jagged
Bolt.



Alice is a Taiwanese-American poet whose work has appeared in Strange Horizons, Liminality, Polu Texni, and Through the Gate. She loves magic, myth, and women who persist. She hates running. You can find her online at Girl On The Roam (girlontheroam.wordpress.com) or perennially on Twitter @kangaru, chatting about books and superheroes.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
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