Size / / /

If you wanted to scuff up your uniform, I'd lend you the scissors
And we could be Theseus and Ariadne, no clue or clew to navigate
No compasses of bone, spinning needles, or anemometers of change

Because here's the Minotaur now, whittled down to smoke and doubt
And we can escape him, and curriculums, and little parents with tongue-tied dreams
And you won't leave me on an island, or at prom, or in the car with leather seams

Look, a little faster, love
To the ripped pomegranates by the table stretching into cafeterias
To the classroom lamps dripping thick light, dropping brambles and silky-spite

No wonder the bulletin board spits cork and thumbtacks when we pass
It sees us—the ravel of horns behind your brow, the dorsal fin behind my blazer
And like sphinxes before mausoleums and seraphs before demi-gods
the board watches, baring its bright teeth, hunching over the class

At the dance, you hold my hand because it is empty
And I hold yours back because it is warm

We dance because otherwise we are just slipping in sound
And we are fey-royalty, dark-haired and night-skinned
Presiding over vespertine flowers and dusky courts hidden behind the moon.

We dance and think of prophecies in reverse,
of true loves and tragedies and strange songs about months
We dance and think of durable dreams, something to jump on, bite into, of Selene
pulled by moon-rabbits and Endymion in sleepy-wait

We dance and the moment is edible
It is sustenance but we can't feel our teeth
Our throats are coated in unslaked heartache

We skid on the floor—I tripped, you sneezed—
A chaperone arched an eyebrow
and the universe heaved

On the walk back, we are quiet
our mouths full of near-kisses

By then, my eyeliner leaked into creature glyphs
shadows stretched into sylphs
Your wings had folded into a sensible sweater

"See you later," "See you soon," "If you asked, I’d sing down the moon"

We think, in the night, in our half-known bliss
We think, perhaps, we've already done this




Roshani Chokshi is the New York Times bestselling and award-winning children’s book author of the Pandava, Gilded Wolves, and Star-Touched series. Her adult debut, The Last Tale of the Flower Bride, is forthcoming from William Morrow in 2023.
Current Issue
20 Jan 2025

Strange Horizons
Surveillance technology looms large in our lives, sold to us as tools for safety, justice, and convenience. Yet the reality is far more sinister.
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“Don’t ask me how, but I found out this big account on queer Threads is some kind of super Watcher.” Charlii spins her laptop around so the others can see. “They call them Keepers, and they watch the people that the state’s apparatus has tagged as terrorists. Not just the ones the FBI created. The big fish. And people like us, I guess.”
It's 9 a.m., she still hasn't eaten her portion of tofu eggs with seaweed, and Amaia wants the day to be over.
Nadjea always knew her last night in the Clave would get wild: they’re the only sector of the city where drink and drug and dance are unrestricted, and since one of the main Clavist tenets is the pursuit of corporeal joy in all its forms, they’ve more or less refined partying to an art.
surviving / while black / is our superpower / we lift broken down / cars / over our heads / and that’s just a tuesday
After a few deft movements, she tossed the cube back to James, perfectly solved. “We’re going to break into the Seattle Police Department’s database. And you’re going to help me do it.”
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By: Michelle Kulwicki
Podcast read by: Emmie Christie
  In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Michelle Kulwicki's 'Bee Season' read by Emmie Christie Subscribe to the Strange Horizons podcast on ⁠⁠⁠⁠⁠Spotify.
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