Size / / /

    for Miou

We will have to rebuild you from scratch,

when this is over, he says,

then smooths down his brown beard

speckled with grey. His beeper sounds

and he scuttles away

with a homey spring in his steps.

His white coat always has a wrinkle

or two in strategic locations;

you can almost see the way

he throws it across a car seat

in his white van like yeshiva boys

driving a mitzvah mobile

would toss their spare shirts

on a back seat, leaving them to fester.

You construct a scene around an illusion;

the coats are hospital property,

never to be removed from the building.

He speaks of hashgacha pratis,

the unceasing divine providence

that micromanages the life of each soul.

His large kipah slips to the side

and he pulls at it with practiced fingers

that might cut the flesh in the same

swift, darting way—

no, he is a neurologist, not a neurosurgeon.

He looks away—outside the window

spring is gathering force.

You are well behind the front lines.

He says this is inevitable,

but we can go into it prepared.

Beads of sweat on his temples.

He's never driven an armored vehicle

and he has never lived through

the searing pain of the divine influx,

he does not know what it's like to do battle

and call the angels, like comrades, by name;

but he knows the words,

all the heimishe Ashkenazic terms

of a more placid childhood.

You find his bare existence reassuring.

This is your tradition,

not the Goetic names for all the demons

or the convoluted Enochian cyphers

occupying and freeing up the mind.

He is the first one you come across

who speaks with the same words

you heard in your midrasha as a girl.

Yet he's not a Chabadnik, he studied at YU,

swore by the newfangled philosophy of

Torah and secular learning.

You can see through him, literally,

and you expect him to flinch

in instinctive revulsion and dread

like the other doctors draw away from

the divine warriors of your kind.

His motions remain steady.

You can see through the world

and soon you will fall, burning,

like the serafim constantly destroyed

by the closeness of the sacred

and reconstructed in every second

simply so they can persist.

He will be there to rebuild you,

with his gentle smile informed by

merciful words of Torah uttered at

a hundred thousand Shabbes tables.




Bogi Takács (they/them or e/em) started working on the poetry / flash fiction series “Jobs for Magical People (That Do Not Involve the Military)” in response to the Israeli invasion of Gaza. E would like to ask you to consider how authoritarian power manifests the world over (including in the stories we tell), then do something to counteract it. Bogi is a writer, poet, critic and scholar of speculative literature; and also a Hungarian Jewish immigrant to the US, a winner of the Hugo and Lambda awards, and a finalist for other awards like the Ignyte and the Locus. Eir second short story collection Power to Yield and Other Stories was published earlier in 2024 by Broken Eye Books, and eir poetry collection Algorithmic Shapeshifting is available from Aqueduct.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
Load More