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Gestora cultural Nahua: En el ámbito editorial ha fungido como gestora, coordinadora y editora de los títulos “Yolkalpam” y “Na Savi,” dos libros-objeto en Nahuatl y Tu´un Savi respectivamente. En 2018, Neijmantototsintle, un libro-objeto con un poema de su autoría, fue acreedor del Judges’ Award Choice, otorgado por The Oxford Fine Press Book Fair. Actualmente colabora con el Laboratorio Nacional de Materiales Orales en el área de gestión y es una de las tres coordinadoras de Originaria, una gira y publicación editorial de mujeres poetas en lenguas indígenas. https://aterimiyawatl.wixsite.com/aterimiyawatl

Nahua cultural promoter: In the field of publishing, she has worked as a promoter, coordinator, and editor of the works “Yolkalpam” and “Na Savi,” two book-objects in Nahuatl and Tu’un Savi, respectively. In 2018, Neijmantototsintle, a book-object with a poem she authored, received the Judges’ Award Choice from The Oxford Fine Press Book Fair. Presently, she collaborates with the National Laboratory of Oral Material in the field of promotion and is one of the three coordinators of Originaria, a touring publishing house of women poets in Indigenous languages. https://aterimiyawatl.wixsite.com/aterimiyawatl


Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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