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Reading Dracula at the age of twelve ignited Margaret L. Carter's interest [email Margaret] in a wide range of horror, fantasy, and science fiction. Vampires, however, have always remained close to her heart, beginning with her first book, Curse of the Undead, an anthology of vampire fiction. Her dissertation for the University of California (Irvine) contained a chapter on Dracula, and its publication in book form was shortly followed by Dracula: The Vampire and the Critics and The Vampire in Literature: A Critical Biography. Her fiction includes stories in small press magazines and in anthologies such as Marion Zimmer Bradley's Darkover and "Sword and Sorceress" volumes; a werewolf novel, Shadow of the Beast; a vampire novel, Dark Changeling, which won an Eppie Award (presented by EPIC, an e-published authors' organization) in 2000 in the horror category; Child of Twilight, its sequel, an Eppie finalist in horror in 2004; and other horror and paranormal romance novels. Her first mass market novel, a vampire romance entitled Embracing Darkness was published in March 2005 by Silhouette Intimate Moments. Her monograph Different Blood: The Vampire as Alien was a 2005 Eppie finalist in nonfiction. Her latest books include Maiden Flights, From the Dark Places, and Besieged Adept (with Leslie Roy Carter). She also publishes a monthly author newsletter, "News from the Crypt," containing announcements, fiction excerpts, and guest author interviews.


Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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