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Pat Cadigan, "The Queen of Cyberpunk" (Guardian), has been writing since childhood, and had her first professionally published story in 1980. Her novels include Mindplayers, Synners, Fools, Tea from an Empty Cup, and Dervish Is Digital. Synners and Fools both won the Arthur C Clarke Award. Pat's many short stories have been published in magazines and anthologies, covering a wide spectrum of science fiction, fantasy, horror, and "unclassifiable." Born in New York, raised in Massachusetts, she spent much of her adult life in Overland Park, Kansas, moving to London in 1996. She lives there with husband Chris Fowler, son Rob, and Miss Kitty Calgary, Queen of the Cats. She is currently working on a number of novels. All of her major work will be available online through the SF Gateway in late September 2011.


Pat Cadigan in our archives
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
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Strange Horizons
By: Michelle Kulwicki
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