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After twenty-nine years as a professor at Temple University, SUNY Buffalo, and U. Mass, Amherst, Samuel R. Delany retired to live with his family and his life-partner Dennis Rickett in Wynnewood, Pennsylvania. Born in New York City’s Harlem in 1942, Delany was the first African American writer to achieve note through commercial American science fiction. His SF novels include Nova (1968), Dhalgren (1975), and Through the Valley of the Nest of Spiders (2012). Edited by Kenneth James, a volume of his journals will appear in 2016. Omnibus editions of his early SF—A, B, C: Three Short Novels and The Fall of the Towers—are available from Vintage Books, as are his collected science fiction and fantasy tales, Aye, and Gomorrah.

Wesleyan University Press publishes the eleven fantasy tales and novels making up Delany’s Return to Neveryon in four volumes, as well as a collection of three novellas, Atlantis: Three Tales. Dover Books will shortly return to print Delany’s Stonewall Book Award-winning novel Dark Reflections (2007). His non-fiction includes The American Shore, Times Square Red / Times Square Blue, Shorter Views, and About Writing. Books available in e-versions include Open Road Media’s The Mad Man: Or The Mysteries of Manhattan, an autobiography, The Motion of Light in Water, and, from Wesleyan University Press, Phallos.

Samuel R. Delany is the winner of two Hugo Awards, four Nebula Awards, the Pilgrim Award for lifetime contribution to SF and fantasy scholarship, and numerous other honors. In 2013, he was named the 31st Grandmaster of Science Fiction.


Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
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Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
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Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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