Size / / /

Toh EnJoe was born in Hokkaido in 1972. After completing a PhD at the University of Tokyo, he became a researcher in theoretical physics. In 2007 he won the Bungakukai Shinjinsho (Literary World Newcomer's) Prize with "Of the Baseball." That same year brought the publication of his book Self-Reference ENGINE, which caused a sensation in SF circles and which was ranked no. 2 on SF Magazine's list of the best science fiction of the year. Since then, EnJoe has been one of those rare writers comfortable working in both "pure literature" and science fiction. In 2010 his novel U Yu Shi Tan won the Noma Prize for new authors. In 2011 his "This Is a Pen" was nominated for the Akutagawa Prize, and he won Waseda University's Tsubouchi Shouyou Prize. In January 2012, he won the Akutagawa Prize with "Doukeshi no Cyo" (Butterflies of a Harlequin). His other works include Boy's Surface and About Goto.


Toh EnJoe in our archives
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
Load More