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Vivian (Xiao Wen) Li is a queer and neurodivergent 1.5-generation Chinese-Canadian immigrant writer, musician, and interdisciplinary artist. Her fiction/poetry have been published or are forthcoming in Strange Horizons, Uncanny, F&SF, Heartlines Spec, The Massachusetts Review, The New Quarterly, The Humber Literary Review, QWERTY, and The Fiddlehead, among others. The author of Someday I Promise, I'll Love You (845 Press) and a Banff Centre alumnus in poetry, she is the writer and director of three short films—including an award-winning video poem—that have premiered internationally in festivals. She was Longlisted for the 2024 CBC Short Story Prize, Shortlisted for the Vancouver City Poems Contest, a Finalist for The Kenyon Review Short Nonfiction Contest, a 2024 ScreenCraft TV Pilot Script Competition Semifinalist, and the winner in the short story category of the CWC Sustaining Shared Futures Writing Award. She was nominated by Heartlines Spec for Year's Best Canadian Fantasy and Science Fiction: Volume Two, and was most recently an editor for Augur. She has recently graduated with an MFA in Creative Writing at The University of British Columbia, and will be looking for a home for her debut experimental novel. She can be found sprinting from spiders and drinking bubble tea @vivianlicreates on Instagram, Bluesky, and Mastodon.


Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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