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In this episode of the Strange Horizons podcast, editor Anaea Lay presents poetry from the February issues of Strange Horizons.

  • "After the Changeling Incantation" by John Philip Johnson, read by Diane Severson Mori. You can read the full text of the poem and more about John here.
  • "A Spell for Rebuilding Your Lover Out of Snow" by Peter Chiykowski, read by Peter Chiykowski. You can read the full text of the poem and more about Peter here.
  • "From the Record" by Susan Carlson, read by Kristopher Goorhuis. You can read the full text of the poem and more about Susan here.
  • "Ex Machina" by Natalia Theodoridou, read by Kate Baker. You can read the full text of the poem and more about Natalia here.
  • "On an Iranian Goblet, 5,000 Years Old" by Alicia Cole read by Ciro Faienza. You can read the full text of the poem and more about Alicia here.
  • "Disturbance" by Jude Alford read by Amal El-Mohtar. You can read the full text of the poem and more about Jude here.

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Alicia Cole is a writer and artist in Huntsville, Alabama. She's an Irish-American, autistic, dyscalculic, 2E, MAD, bisexual, genderfluid, survivor woman (one), who is an alt-spiritual practitioner.  Her poetry has recently appeared in Reckoning, isacoustic*, and NILVX. She's a studio artist at InsideOut Studio at Lowe Mill, a studio for disabled adults, and she attends Merrimack Hall, a performing arts school for the disabled.  She lives with her husband, five animals, and some plants, and loves tea, coffee, and claw machines. Her favorite holiday is Halloween.
Amal El-Mohtar is the Nebula-nominated author of The Honey Month, a collection of poetry and very short fiction written to the taste of twenty-eight different kinds of honey. She has thrice won the Rhysling Award for Best Short Poem and once received the 2012 Richard Jeffries Society Poetry Prize. Her short fiction has appeared in multiple venues online and in print, including Apex, Strange Horizons, Lackington's, and the special "Women Destroy Science Fiction" issue of Lightspeed magazine. She also edits Goblin Fruit, a web quarterly dedicated to fantastical poetry, with Caitlyn A. Paxson. She reviews books for Lightspeed and short fiction for Tor.com. Find her online at amalelmohtar.com or on Twitter @tithenai.
Ciro Faienza (pronounced CHEE-roh) is an American/Italian national. He has acted on stages and screens throughout Texas and Massachusetts, and his work as a filmmaker has shown at the Dallas Museum of Art, the Dallas Hub Theater, and the National Gallery, London. His fiction is featured in numerous publications, including Daily Science Fiction and Futuristica, Vol 1. His short story "J'ae's Solution" was a top finalist in PRI's 3-Minute Futures Contest. You can see his visual artwork at his web gallery, Postmedium.
John Philip Johnson has work in Rattle, Asimov’s, F&SF, Apex, Mythic Delirium, The Pedestal, Phantom Drift, Ted Kooser’s newspaper column, “American Life in Poetry,” and the Poetry Foundation, with Pushcart, Best-of-Web, and Rhysling noms. He would love to live on Mars. His comics are from his new comic book, The Book of Fly, which is graphic poetry in Twilight Zone-like episodes. Available at www.johnphilipjohnson.com.
Kristopher Goorhuis is an American expatriate in Southeast Asia and too pale to pass as Australian. Sticking out like a sore thumb has not abetted his shyness. Through sheer force of repetition, however, Kristopher has become adept at pretending not to be. He is not sure how to feel about exposing his thoughts and words to a wide internet audience.
Natalia Theodoridou is the World Fantasy Award-winning and Nebula-nominated author of over a hundred stories published in Uncanny, Clarkesworld, F&SF, Nightmare, Choice of Games, and elsewhere. Find him at www.natalia-theodoridou.com, or follow @natalia_theodor on Twitter.
Peter Chiykowski spends his nights jotting down stories, poems, and a silly webcomic called Rock, Paper, Cynic (which George Takei and Nathan Fillion once shared). His writing’s appeared in The Seattle Times, Asimov's Science Fiction, and a few "best Canadian" anthologies. Once, in 1988, he was the planet's youngest living person.
Susan Carlson has lived all over the United States, but currently calls San Francisco home. When not writing or cat wrangling, she’s a reader, gamer, cook, and avid watcher of historical documentaries. This is her first published work. You can keep up with Susan at her blog, www.natterings.com.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
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