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i need to rest under a cork oak, or a beech tree
to sit among the ferns
watching the pink bursts of the cyclamens
and the boars, hungry for their round, fat roots.

i need lichen
to paint my exoskeleton in bursts of blue and yellow.
cyanobacteria tattoos
feathering my metal skin, and the
moss
so much of it, quilted blanket with a rhizome pattern.

so i won’t need to learn to sew like my mother
even though i’d love to
there’s never enough time
to learn, to envision
to make things.

transhumanism isn’t here yet
(how could it be?
we don’t even have the time to see
algorithms cannibalize our art
with parasite teeth)
and i need to write down my body
because no hrt will harden me into metal
no transition will encrust me in lichen
or give me holographic moth wings that
shine like chalk drawings.

for that,
i’d need to wait a few centuries
maybe.
(if the oil and the blood-smeared cobalt and the emissions
don’t kill my cork oaks, my beech trees
my fragile cyanobacteria)
cyclamens used to be my grandmother’s favorites.
i used to think i just wanted cat ears, and a tail
ram horns to be fancy
and that was my body beside the body i have.
i still love the cat ears
and the tail and the horns
(my grandmother probably keeps cyclamens in heaven
roots growing among the clouds)
but now i just want to be an old relic
at rest, after everything’s done.



Wren is an SFF author from Italy, where they live with their devilish cats and one sprightly old dog. Their work has been featured in the 2023 Lambda finalist anthology XENOCULTIVARS: Stories of Queer Growth, among other venues. They’re @awritingwren across socials.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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