Size / / /

But it doesn't matter

that part of this memory is a simulation.

One night I watched my boyfriend play videogames.

I was unsure of him, still. I suspected

he would hurt or ignore me soon.

In the game he found a dungeon—you know the kind,

with stone walls and giant rats,

littered with skeletons.

One set of bones was too small, a child or infant,

beautifully rendered in yellow-white and gray,

in a small wooden coffin. It sat on a table

as if someone had casually set it there,

with the candles and the ancient books.

It seemed cruel of the designers to just set it there.

He kept going back to it, the crosshair

of his point of view hovered over the ribcage.

I realize he didn't even notice he was doing it.

His brow tightened, the controller

still in his hands. There was sadness

in the room that was human.

And the dungeon wasn't real, or the child,

or the future, and the thread between us

was, likewise, a construction of our minds.

But these things are important

and I am beginning to think of them

a little more.




Leslie J. Anderson's writing has appeared in Asimov’s, Uncanny Magazine, Daily Science Fiction, and Apex. She currently lives in a small white house beside a cemetery with three good dogs and a Roomba.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
Load More