Size / / /

Content warning:


The storm-seers failed to tell us
to await the malachite beetles.
We must thank them for this failure.
If we had foreseen the storm, we
would have been alone, at home,
wrapped safe as a spider wraps
its prey. We would have been separate.

And so, we did not see the storm, we
were shopping, borrowing books,
mailing letters, living public lives.

Now it has come, and we—
in truth we are no people, we
are stones under the moss
of the viridescent storm.

When the air hums green, we
lose the things that keep us
lonely, keep us separate. We
are together in strange places,
avalanched into libraries,
post offices, neighbors’ homes.

The storm of the malachite beetles
is unification. Each insect like
each other, each human equally
stone, equally speaking to drown out
the hum of beetle wings.

We are safe inside our carapaces, we
are safe in company with strangers.
The storm is care and crisis both,
verdant, teeming, bringing life
on sharp-edged, malachite wings.



Devin Miller is a queer, genderqueer cyborg and lifelong denizen of Seattle, with a love of muddy beaches to show for it. Their poetry received an honorable mention in the 2022 Rhysling Awards and once appeared on a King County Metro bus terminal. You can find Devin under a tree, probably, or at devzmiller.com.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
Load More