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Schmidt offered his body up to teeth
to stingers
to poisonous hairs
to spasms of venom.
For seconds, for days, for weeks.
He built an empire of agony
He wore scars and rashes like empirical clothes
recorded memories and data points,
made a wedding registry of data;
a grocery list of suffering.
Every insect was a chalk outline of agony
defined, evaluated, ranked
by how much it hurt
Was the pain a wave
an avalanche, a stubbed toe?
was it a cab shared with a talkative stranger or
a baby born dead and shared with no one?
how long did it last
how much did it hurt
did you regret it? should i?
what choices brought us here and
what will we tell anyone who asks
and then came was the mythical one (not reciprocal)
made him wish for death,
a different degree,
a life that was not this one
the warrior wasp
regret turned like a sunflower toward that scientific sun
that narrow waist
her drumming wings
she was so small, her legs filaments of light and her ache the only one
that was bad enough to matter, vicious enough to merit the weight of
regret
she did not live long
they never do
there were others before and others after
but oh, how she hurt
oh god,
how she hurt.



Asa Delaney (Homo sapiens domestica) is a writer endemic to the northeastern United States. This reclusive, multilingual herbivore is notable for its interest in animal behavior and cat-loving demeanor. Asa can be found in Apparition Lit, Small Wonders, and The Creepy Podcast, or online @UnlikelyAsa on Bluesky or Instagram.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Monster of the Week as Realism 
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
Friday: Adam and Eve in Paradise by José Maria de Eça de Queirós, translated by Margaret Jull Costa 
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Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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