Size / / /

envision the titan in his lost glory,
muscled arms and granite thighs,
kin to the one who
holds the sky on his massive shoulders

see him bound, chains wrapped
around his wrists and ankles,
mouth open in a rictus
of anticipated pain

waiting for the daily strike
of the eagle
(ravenous, god-sent
bird-of-punishment)

picture him unbound,
his chains around his fingertips
a-whirl in the air to ward off
the eagle and any other enemies
sent by the gods,
leather belts
encasing his waist
to deter the shrike-like cruelty
to which he’s long been accustomed

imagine
what it would be like
for one punished by the gods
to walk free again
under the darkening sky
only to find that the gods themselves
have long since died
leaving only him
and humanity

wonder
at his tears
relief
bitterness
guilt
all combined

then let him pass
as ravens skirl in his wake



Deborah L. Davitt was raised in Nevada, but currently lives in Houston, Texas with her husband and son. Her award-winning poetry and prose has appeared in over seventy journals, including F&SF, Asimov’s, Analog, and Lightspeed. For more about her work, including her Elgin-placing poetry collections, Bounded by Eternity and From Voyages Unreturning, see www.deborahldavitt.com.  She also has a new poetry chapbook out in 2024 (Xenoforming), as well as a TTRPG and novel: Mists & Memory and In Memory’s Shadow.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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