An examination of Spielberg's early television works can go a long way in explaining how his filmmaking career remains successful and relevant to this very day. He signed his first contract with Universal's television department in 1969, and while his "New Hollywood" peers were busy experimenting with new forms of storytelling and exploring the dark sides of American life on the screen, Spielberg learned how to work with run-of-the-mill scripts, producers and executives.

Their voices were blood coughed out on whiteness.