Size / / /

In this episode of the Strange Horizons podcast, editor Ciro Faienza presents  poetry from the May issues of Strange Horizons.



Robin M. Eames is a disabled & dying queercrip writer/artist/activist living in Sydney, Australia. Their work appears or is upcoming in GlitterShip, Luna Station Quarterly, Glitterwolf, ARNA, Hermes, and the anthology Broken Worlds.
Richard Ford Burley (they/he) is a writer of speculative fiction and poetry as well as Deputy Managing Editor of the journal Ledger. Their second novel, Displacement, was published in hardcover in February 2020 by Prospective Press and is now available in paperback. They post updates (occasionally) at richardfordburley.com, and they tweet (unceasingly) at @arreffbee.

In elementary school, Symantha spent recess reading and writing poems.  She's the first in her family to attend college, graduating with a B.A in English Literature and went on to earn an M.F.A in Writing Popular Fiction from Seton Hill University.  She's now a writer in the video game industry.

Based in Austin, TX, E. Kristin Anderson has been published widely in magazines.  She’s also the author of eight chapbooks, including A Guide for the Practical Abductee, Fire in the Sky and Pray, Pray, Pray: Poems I wrote to Prince in the middle of the night.  Kristin is Special Projects Manager for ELJ and a poetry editor at Found Poetry Review.  Once upon a time, she worked at The New Yorker.

Cislyn Smith likes playing pretend, playing games, and playing with words. She calls Madison, Wisconsin home. She has been known to crochet tentacles, write stories and poems at odd hours, and gallivant.  Her work has appeared in Star*Line, Diabolical Plots, and Flash Fiction Online.

Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
Load More