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with you, guided by quantum pilotage,
holding hands, hearts pounding.

Long we’ve been gone,
but we're nowhere
near done.

In Amherst,
we heard Her
say something like:

wild
flights,
wild nights,

close calls when
I’m with Thee
dressed to the nines,

at the parade
until the Archduke
is shot and then

speeding away
before it all
goes up in flames.

After a nap, we
wake to fire and
drunkenness

after making love after
making war:
Persepolis burning

snap-decision of our leader,
wasted, like us, and looking
to impress Hephaestion.

One last stop today
homeward bound,
in space and time. We land

after nightfall, tip-toeing,
down Ford’s corridors,
guns drawn, silencers on,

padding, oh so softly, toward
the greenroom of
John Wilkes Booth.

In Amherst, She
postulated that,
perhaps, just

once, we can
defy our Holy
Guide’s One

and Golden Rule:
you can see anything,
but on the condition

that you never
attempt
revisions.



Paul is a historian of global environmental change and the American Empire. He also writes fiction and poetry with climate justice and history themes. When he’s not in the archive or the classroom, he’s jogging, cooking, gardening, hiking, or hanging out with his husband and their dogs. You can check out more of his work at www.paulnauert.com.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
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Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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