Size / / /

Wish-wakened, wind-hastened
wisp-whim—
here I am.
For what dark conspiracies
have you conjured me?

Don't use me long,
expect too much,
for I'm light-of-mind,
a harum-scarum fellow,
dusty husk not much
more substantial
than a moonbeam, ma'am.

Oh, so it's for that, then,
that you bid me rise
from my soft bed of self-stuff
and shake a leg?

I comply,
press your hands
between these vacant gloves,
tousle your hefty hair,
confide almost-somethings
into your ear.
Just don't request a
candlelit romancing;
where flames flaunt their fervor
you'll never find me.

Alas, now I'm the worse for wear.
One o'clock shadow shades
my rag-bag cheek,
a button eye
has popped its thread,
my wheaten locks scatter

to the four corners of the air.
Breeze bows me, madame,
at my waist.
I bid adieu
before your ardor
has undone me quite.




Sandi Leibowitz has been, among other things, the Sands Point Hag, a psaltery player, a secretary at NY's Museum of Natural History, a fundraising associate, and a school librarian. Her speculative fiction and poetry may be found at Mythic Delirium, Goblin Fruit, Luna Station Quarterly, and other far-out places.
Current Issue
27 Mar 2023

close calls when / I’m with Thee / dressed to the nines
they took to their heels but the bird was faster.
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Reviews Editors Aisha Subramanian and Dan Hartland talk to novelist, reviewer, and Strange Horizons’ Co-ordinating Editor, Gautam Bhatia, about how reviewing and criticism of all kinds align—and do not—with fiction-writing and the genre more widely.
If the future is here, but unevenly distributed, then so is the past.
He claims that Redlow used to be a swamp and he has now brought them into the future before the future. Yes he said that.
My previous Short Fiction Treasures column was all about science fiction, so it’s only fair that the theme this time around is fantasy.
I’ve come to think of trans-inclusive worldbuilding as an activist project in itself, or at least analogous to the work of activists. When we imagine other worlds, we have to observe what rules we are creating to govern the characters, institutions, and internal logic in our stories. This means looking at gender from the top down, as a regulatory system, and from the bottom up, at the people on the margins whose bodies and lives stand in some kind of inherent opposition to the system itself.
Issue 20 Mar 2023
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Issue 6 Mar 2023
Issue 20 Feb 2023
Issue 13 Feb 2023
Issue 6 Feb 2023
Issue 30 Jan 2023
By: Catherine Rockwood
By: Romie Stott
Podcast read by: Ciro Faienza
Podcast read by: Catherine Rockwood
Podcast read by: Romie Stott
Podcast read by: Maureen Kincaid Speller
Issue 23 Jan 2023
Issue 16 Jan 2023
Issue 9 Jan 2023
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